22 years old (how did that happen?), unconditioned love for literature, cinema and doctor who.
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Anonymous asked:

I get the post about wanting to save museums and Aquariums and zoos but. I think any talk about museums needs to be handled very carefully since there is a good portion of displayed items that never should’ve been in the museums care at all. Personally I don’t care if every museum has to shut down if it means that culturally significant pieces are returned to the people they were stolen from. I just don’t see how a museum can be compared to an aquarium or zoo that contains living creatures

astriiformes:

So, I could talk quite a lot about the museum field and the evolving attitudes that mean this is a really complicated issue, but right now, my main focus really is on saving these places, and I don’t particularly want to detract from that. Here is what I will say though.

The definition of “museums” that are threatened right now ranges from small local history centers, to science museums, to places that display art, oddities and more. There are museums of pop culture and museums dedicated to obscure historical events and hands-on experiential learning museums, planetariums and rocketry centers, and everything in-between. Only a fraction of these places have the kind of artifacts you’re talking about in the first place. Do they deserve to die because they’re part of a broader category? I certainly don’t think so, and I’d ask you to consider that question.

The other thing that is a little harder to explain but that I hope makes sense is this: if what you really care about is artifact repatriation, it’s actually even MORE important that even the museums you don’t like survive this crisis. There are important laws around returning artifacts (including some that basically say you have to return them – it’s not all red tape), which is its own discussion but is good thing in a lot of ways, because it means there is a methodology to make sure that things end up in the right place. Some of the kinds of museums you’re talking about are already in the process of doing that with parts of their collections. The museum I was working for prior to all this has a working relationship with our local Native tribes, communicating with them about returning certain things and about the most respectful way to display – or in some places, not display – the things in their collection that they either haven’t been able to return yet or have been told they could hang onto, since some of these groups have said they would like those things to be displayed, alongside donated, modern works of art, in order to educate people about their cultures. If these sorts of places make it through and can continue the work that they’ve been doing, I can 100% promise that more art and artifacts will make their way into the hands of Native tribes. However, if they have to close suddenly, that won’t happen. Because of all the laws and regulations to make sure things end up in the right places, if these museums can no longer afford to pay their staff, there won’t be anyone left to do the necessary work to get those things back into the hands of their original owners. And if hundreds of museums close across the country, there also won’t be enough other collections left to accept those artifacts and continue their work. What you would most likely see happen is the absolute worst case scenario – private collectors snatching up things that don’t belong to them and making them inaccessible to the people they should be going back to.

I’m not asking you to change your mind on the issue of these museums as a whole, since I think we agree on some core concepts and I think that the ones we don’t agree on are a result of artifact repatriation being such a complicated issue. But I hope I’ve helped you understand why even if we do disagree on some things, it’s absolutely critical and in the best interest of both of our ideologies that these places get the support they need. If they’re able to ride out this crisis, we can continue to have important conversations about the purposes museums should serve and the kinds of things they should display. If they vanish suddenly, however, we’ll lose a lot more than their physical buildings. And I don’t think either of us want to see that happen.

stele3:

popthirdworld:

“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.

They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”

So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?

It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.

This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.

These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”

Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”

The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.

The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.

In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”

- Naomi Klein

This is why the media keeps pumping out articles about plastic straws and avocados that focuses on what we, individually, are doing to destroy the environment, when really the most pollution comes from multinational corporations and the only thing that will save us is global collective action.

(via a-conspiracy-of-cartographers)

a-conspiracy-of-cartographers:

mailorderfictionalcharacter:

people are still patriotic in 2020? grow up? do not ask for what you can do for your country but what human rights violations they are currently committing and why you should hate them. 

do not ask what you can do for your country

ask instead what your country has done to you

(- jean tong, playwright)

hillnerd:

updatebug:

cheeseanonioncrisps:

hermiones-amortentia:

updatebug:

Not saying the movies did Hermione wrong (which they did) but I love how utterly and completely insensitive Hermione can be in the books. Like literally, in book three: 

Ron: My uncle, my actual blood family member uncle who I knew, clearly cared bout and am named after, saw a magical creature that is said to cause death and died one day later. Cause of death not specified. Could have been natural causes. Could have been hit by a freaking bus for all you know. 

Hermione: Yes, well our good friend harry is clearly not as stupid as those wizards who ‘died of fright’. He isn’t going to die. Your dead uncle is an absolute moron. Go what was coming to him. 

Yet it’s Ron who had the emotional range of a teaspoon🤡

Lavender: My beloved childhood pet died while I was away at boarding school. I’m literally holding the letter in my hand now! It’s just like Professor Trelawny predicted.

Hermione (pulling on Sherlock Holmes hat): Okay, I’m going to need the name, age and cause of death of the rabbit. Stop crying Lavender! I’m trying to prove somebody Wrong!

Harry: My one non-abusive legal family member who I clearly loved and trusted and cared about immensely was brutality murdered in front of me in a way which is arguably my fault and which I am definitely blaming myself for and still highly traumatised by. 

 Hermione: Just saying. I told that guy to be kinder to his house elf. Did the house-elf represent Sirius’ abusive past, yes. And was Sirius incredibly messed up from spending years in prison trapped in his worst memories and escape, only to be immediately trapped in a house filled with constant reminders of his worst memories, one of which being the house elf spewing the same racist, bigoted, abusive, retoric Sirius had to deal with his entire childhood? Sure. But I told that guy to be nicer to his damn house elf. 

Harry: Oh my god, I nearly killed a student with a spell from the potions books! His blood is on my hands and I am riddled with guilt about it and shaken to my core about it. 

Hermione: I won’t say I told you so… BUT I told you that book was bad! And I was right! You can’t stick up for the book now, can you? It’s ridiculous, and not you have a reputation for potions brilliance you don’t deserve, which is the thing that’s most important now to bring up.

(via a-conspiracy-of-cartographers)

laughconfetti:

the last panel always hits me

(via confusedcrazy)